“It’s a call for the celebration of the multiplicity of perspectives, and the gathering of different viewpoints.” Ahead of the Biennale’s opening this weekend, we talk with long-time collaborators Cosmin Costinaș and Inti Guerrero about how this year’s Biennale is one of celebration, not fatalism.
From revelling in biography to what artists wear to creative workshops, Jane O’Sullivan writes on a new artistic retreat, revealing the joys of learning directly from artists.
In our special interview with the one-and-only Marina Abramović, ahead of her curatorial project at Adelaide Festival, she talks on almost 60 years of performance art, wanting a one-way ticket into space, and answers a question about her most famous performance that no-one has asked before.
Nadine Christensen’s survey exhibition at Buxton Contemporary spans more than two decades of her practice, bringing together 80 works that explore the quotidian with substantial depth and humour.
George Byrne’s artwork has an otherworldly quality to it, blurring the lines between natural and artificial through photography, collage, and digital manipulation. His latest exhibition, Synethetica, is now showing at Olsen Gallery.
The widespread demise of coral reefs due to climate change is now a certainty. But what role does art have in our future for coral reefs?