Blaxland Centre, 21 Blaxland Crescent Griffith ACT
Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
While physical galleries all around Australia may be closed for months, the necessity of invention may yet enrich art lovers worldwide with online innovation.
Assembled from the Museum of Brisbane collection and significant loans, New Woman chronicles 100 years of female artists in Brisbane.
As part of a new exhibition, State of the Union, which explores partnerships between trade unions and arts workers, a group of Melbourne artists has launched a project to expose exploitation in the arts in Australia.
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