Hoda Afshar, Peta Clancy, Michael Cook and Rosemary Laing.
42 View Street Bendigo VIC 3550
Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
While physical galleries all around Australia may be closed for months, the necessity of invention may yet enrich art lovers worldwide with online innovation.
Currently showing at Griffith University Art Gallery, Red Green Blue is a three-part exhibition series that explores the moving image in Australia from the 1970s to the present.
There is no shortage of drama in Borrowed Scenery, which is perhaps the point—to take female artists out of scenes shaped by the male gaze and to place them on their own stages.
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