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For ceramicist Glenn Barkley, the lagoon is “a swampy place where ideas come from”.
Trent Walter has run Negative Press, a publisher of limited-edition prints and artist books, for over a decade. Now, for the 22nd Biennale of Sydney, Negative Press is home to a new piece of equipment—the Heidelberg GTO 52, an offset lithography press—and a new collaboration with designer Stuart Geddes to produce a publication, NIRIN NGAAY.
Arthur Boyd’s landscapes not only ruminate on the Australian bush but provide a rich canvas for human emotion to dwell.
In Familiar Stranger, Australian and international artists grapple with the at times unsettling act of coming home.
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