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White Rabbit Gallery has pulled off a neat trick. As the Sydney-based institution celebrates its 10th anniversary, it manages to feel both venerable and fresh.
Milan Milojevic threads wild landscapes with the richness of altered fauna, flora and mythological creatures. His newest exhibition converges on one visual motif: the waterfall.
Ashleigh Garwood is drawn to dramatic landscapes: the frigid majesty of glaciers, the caldera of volcanoes, deep ruptures in the surface of the planet; places that have an otherworldly ambience.
For The Nature of Things, Selenitsch has constructed a number of two-dimensional transmission towers from plywood. Comprised of clean lines and stripped of all ornamentation, they function as totems of modernity and, ultimately, as sites of contemplation.
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