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Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
While physical galleries all around Australia may be closed for months, the necessity of invention may yet enrich art lovers worldwide with online innovation.
Del Kathryn Barton finds herself in the curator’s shoes, taking contemporary Australian art to Germany with mad love.
The Melbourne-based artist describes being transfixed by the POV shot of headlights on a two-lane road which opens David Lynch’s 1997 film, Lost Highway.
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