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Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
While physical galleries all around Australia may be closed for months, the necessity of invention may yet enrich art lovers worldwide with online innovation.
Judith Wright, born in 1945, was a dancer in the Australian Ballet and in the late 1970s, embarked on a practice in the visual arts.
Elucidated with a level of technical finesse that Loxley describes as “dazzling,” Cassils’ work is fierce, raw and unflinching.
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