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In the group show Void, curator Emily McDaniel from the Kalari Clan of the Wiradjuri nation in central New South Wales invoked the void as a space occupied by Indigenous knowledge, stories and meaning.
Nothing is what it used to be in the group show Just Not Australian. This is probably just as well, since the cultural artefacts that form much of the show’s raw material are not always pretty.
Romancing the skull at the Art Gallery of Ballarat explores the ongoing visual appeal of the human skull, showing works from the Middle Ages to now.
“I want people to be jolted into their bodies,” says curator Emily Cormack about the unnerving opening to the 2018 TarraWarra Biennial.
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