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Laurie Anderson and Hsin-Chien Huang are redefining VR in contemporary art.
In the group exhibition Hi Vis, fashion is used to arrest attention and focus it onto complex political ideas.
Working between 1988 and 2005, Çerkez’s practice is heavily conceptual, containing doses of minimalism and the aesthetics of late modernism.
“Their works speak to their particular interests,” says Murphy, “which are indebted to the ancient traditions of a long existing culture, but that also look outside this to Western art.”
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