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Movement and stillness are driving forces in the video and sculptural works of Cate Consandine. This is particularly true of RINGER, the artist’s new three-channel film work currently premiering at Buxton Contemporary. In conversation with Amelia Wallin, Consandine talks about RINGER, the female gaze as a continual point of exploration, film as sculpture, and the viewer as an active and embodied agent.
Rochelle Haley is responding to the need for safe spaces in a new public artwork at Randwick Health & Innovation Precinct, Lunar Sway, that blends light and colour to create a sense of calm.
After six months on the long-abandoned third-floor of Flinders Street Station in Melbourne, TIME • RONE has found its way to Perth, inside the historical Centenary Galleries—a wing of the Art Gallery of Western Australia that has been closed for over 20 years.
The latest in Holmes à Court Gallery’s Collection Focus series looks beyond the still life genre, with 21 artists from across generations offering varied interpretations of stillness in art.
With the likes of Björk and Beyonce wearing her creations, within Dutch fashion designer Iris van Herpen’s surreal garments—which are showing at QAGOMA—couture becomes a canvas for the phenomena of nature.
Step inside Clare Milledge’s Avalon home and studio, surrounded by a lush garden of coastal natives, as she prepares for her latest exhibition at STATION Melbourne.
