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In the group show Void, curator Emily McDaniel from the Kalari Clan of the Wiradjuri nation in central New South Wales invoked the void as a space occupied by Indigenous knowledge, stories and meaning.
Nothing is what it used to be in the group show Just Not Australian. This is probably just as well, since the cultural artefacts that form much of the show’s raw material are not always pretty.
For the 21st Biennale of Sydney, a full wing of Artspace is dedicated to the videos, sculptures, notes and paintings of Belgian artist Michaël Borremans. The darkened space is punctuated with screens, low-lit plinths and glass-topped cases.
Amiel Courtin-Wilson has been announced as the winner of the 2016 Digital Portraiture Award for his submission titled Charles.
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