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Looking at Chiharu Shiota’s art paradoxically offers an uncanny awareness of one’s bodily existence alongside the elusiveness of time. To see Shiota’s latest installation and works at Anna Schwartz Gallery is to be awe-struck.
“It’s not the last word in painting at all”: Like a Wheel That Turns at the Australian Centre for Contemporary Art (ACCA) doesn’t focus on what painting is—but what painting can do.
“It was like an open studio and an exhibition space and a home space, everything kind of intermingled in a really lovely way.”
Frank Morris’s paintings in Rock, Paper, Scissors, Sigh are an exercise in formal innovation, showing at Art Collective WA—where his art is open to multiple, perhaps endless, meanings
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