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Is it possible to separate the art from the artist?
Tāmaki Makaurau/Auckland-based artist John Vea’s show at 4A Centre for Contemporary Asian Art is both provocative and elegant.
“It’s really important for me to be able to control what’s coming in – good light, temperature control – so that it’s warm or cold and you’re comfortable.”
Often perceived as a modest artform compared to, say, the grandiosity of painting, printmaking has been a site of experimentation, a fact highlighted in Lichtenstein to Warhol: The Kenneth Tyler Collection at the National Gallery of Australia.
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