1/322 Brunswick Street, Fitzroy VIC 3065, Australia
Kylie Stillman’s silhouetted carvings of natural forms, such as trees and birds, are built up slowly over days and weeks, hollowed out from stacks of reinforced paper or timber with hand tools, knives and jigsaws.
Hard and soft, volatile and permanent; Teelah George plays with paradoxes in textiles and bronze.
Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
Born in 1934, Elisabeth Cummings has been painting professionally for more than 60 years.
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