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Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
While physical galleries all around Australia may be closed for months, the necessity of invention may yet enrich art lovers worldwide with online innovation.
“Perhaps a common theme throughout is that brands change, people change and everything dies,” says Melbourne artist Darren Sylvester of the works in his solo exhibition at Neon Parc.
If you’ve been around the art world for awhile, it’s easy to forget that a lot of people can still find the whole thing intimidating.
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