77 Salamanca Place Hobart TAS 7000
There is a fascinating duality at play in Lewis Carroll’s darkly absurd masterpiece, which is not lost on Launceston-based artist Junko Go.
Delving into the archives at State Library Victoria, Höflich will research magical practices as ways of measuring and predicting, in response to a culture shaped by digital algorithms.
In a world where one of the only consistencies is that there’ll be more bad news, Ash Keating has created a meditative space for viewers to find a brief respite.
A low-grade anxiety simmered under the surface in The Fraud Complex, perhaps a pre-emptive emotion, as Next Wave was dealt a blow with the loss of its Australia Council funding.
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