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An exhibition titled Animal Nation may, on the surface, presuppose a simply figurative display of animal life.
This summer, the exhibition Water, which features 40 works by both Australian and international artists, asks visitors to take the time to really think about this precious resource.
Jahnne Pasco-White’s paintings have always had a sculptural element to them; she experiments with the layers and folds of loose canvases, which she plasters with wax, resin and found materials.
The six medieval French tapestries known collectively as The Lady and the Unicorn cycle are a conundrum.
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