“My work investigates time as it is registered in landscape, through light, growth movement and decay. I am interested in how past incidents have a direct and persistent impact on the present and how past actions and energies are retained and transferred in place.” – Eliza Adam.
For Betty Muffler art making and healing are indistinguishable. Evoking Country through the view of the eagle, she’s now showing in the NGV Triennial alongside a host of international names.
A comprehensive new survey at the National Gallery of Australia pays tribute to Emily Kam Kngwarray and the Country she loved.
From crones to witches to grandmothers, the feminine monstrosity offered by fairy tales is an antidote to our current, unsatisfying forms of female transgression—as a new exhibition at the Gallery of Modern Art reveals.
Making art vs making ends meet, especially during a cost of living crisis, means making tough decisions, Oslo Davis discovers.
The Art Gallery of Western Australia pays tribute to The Antipodean Manifesto and the collective artists who wrote it, which included the likes of Arthur Boyd, John Brack and Clifton Pugh.
In a new exhibition at Olsen Gallery, Andrew Taylor interrogates how we perceive time, the nature of memory, and how today is just tomorrow’s yesterday.
