842 Military Road Mosman
First-time curator Andrew Atchison focuses an inquiry into queer abstraction, challenging how we comprehend and view queer art.
Steve Dow looks at a number of artists who see VR as loaded with both hope and fear.
A US-curated exhibition finds a home in Adelaide, where it examines the human impact on the world’s oceans.
This exhibition takes its starting point as Gian Lorenzo Bernini’s Ecstasy of Saint Teresa (1652), and its ability to convey the Baroque sensibility in art.
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