“It’s a call for the celebration of the multiplicity of perspectives, and the gathering of different viewpoints.” Ahead of the Biennale’s opening this weekend, we talk with long-time collaborators Cosmin Costinaș and Inti Guerrero about how this year’s Biennale is one of celebration, not fatalism.
From revelling in biography to what artists wear to creative workshops, Jane O’Sullivan writes on a new artistic retreat, revealing the joys of learning directly from artists.
In our special interview with the one-and-only Marina Abramović, ahead of her curatorial project at Adelaide Festival, she talks on almost 60 years of performance art, wanting a one-way ticket into space, and answers a question about her most famous performance that no-one has asked before.
Mona brings new works out of the archive for the ever-evolving collection Monanism. Currently on display are works by Cassandra Laing and Michel Blazy.
The largest exhibition of Lee Miller’s work shown in Australia in over 30 years, including that shot of her in Hitler’s bathtub, is currently at Heide Museum of Modern Art.
George Byrne’s artwork has an otherworldly quality to it, blurring the lines between natural and artificial through photography, collage, and digital manipulation. His latest exhibition, Synethetica, is now showing at Olsen Gallery.