Bruce Buchanan’s work is described as “realist landscape”. He chooses to work in watercolour for its infinite tonal possibilities and translucency. His focus is on capturing mood, atmosphere and subtlety in his subjects which include both the natural and built landscapes. Originally trained in watercolour as an architect, he is meticulous and precise in his application of watercolour washes and fine detail.
For Betty Muffler art making and healing are indistinguishable. Evoking Country through the view of the eagle, she’s now showing in the NGV Triennial alongside a host of international names.
A comprehensive new survey at the National Gallery of Australia pays tribute to Emily Kam Kngwarray and the Country she loved.
From crones to witches to grandmothers, the feminine monstrosity offered by fairy tales is an antidote to our current, unsatisfying forms of female transgression—as a new exhibition at the Gallery of Modern Art reveals.
In a new exhibition at Outer Space, Amy Claire Mills offers a love letter to her disabled and neurodivergent communities by turning cold, hard medical spaces into places of safety and warmth.
The fourth Fremantle Biennale looks toward the ocean and beyond, making use of the city’s varied environments and shared histories. The program features over 70 events and 80 artists, including an immersive installation by Taloi Havini.
A new exhibition at Drill Hall Gallery, Pintupi Way, offers a window into thousands of years of culture and survival for the Pintupi people of the Western Desert.
