77 Salamanca Place Hobart TAS 7000
The artist is researching magical practices as ways of measuring and predicting, in response to a culture shaped by digital algorithms.
First-time curator Andrew Atchison focuses an inquiry into queer abstraction, challenging how we comprehend and view queer art.
As the title indicates, Embellish concentrates on the artist’s love of textiles and dressing up, and the show includes both her paintings and drawings of people in elaborate outfits as well as some actual costumes.
Milledge’s visual language slips between abstract painting and witchy mysticism; the connections between work and title often oblique. Is gazing at a painting and trying to divine its meaning really so different from reading entrails or casting bones?
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