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Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
While physical galleries all around Australia may be closed for months, the necessity of invention may yet enrich art lovers worldwide with online innovation.
For Fiona Hall, the things we throw away aren’t empty of meaning.
Rather than try to encapsulate more than 60 years in a survey show, the gallery is focusing on one decade of his practice, from Bigger Trees Near Warter to now.
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