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For ceramicist Glenn Barkley, the lagoon is “a swampy place where ideas come from”.
Trent Walter has run Negative Press, a publisher of limited-edition prints and artist books, for over a decade. Now, for the 22nd Biennale of Sydney, Negative Press is home to a new piece of equipment—the Heidelberg GTO 52, an offset lithography press—and a new collaboration with designer Stuart Geddes to produce a publication, NIRIN NGAAY.
A complex photo installation and three-dimensional sculpture, including a backlit crypt made of wood, will be central to the exhibition.
Cassandra Chilton shares the recipe behind the art collective’s success.
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