With: Darren Aquilina, Emily Floyd, Megan Hunter, Prue Stevenson, Thomas Miller, curated by Pamela Debrincat.
For Betty Muffler art making and healing are indistinguishable. Evoking Country through the view of the eagle, she’s now showing in the NGV Triennial alongside a host of international names.
A comprehensive new survey at the National Gallery of Australia pays tribute to Emily Kam Kngwarray and the Country she loved.
From crones to witches to grandmothers, the feminine monstrosity offered by fairy tales is an antidote to our current, unsatisfying forms of female transgression—as a new exhibition at the Gallery of Modern Art reveals.
In a collaboration with Two Good Co, Leanne Xiu Williams’s sumptuous still life paintings act as chapter openers and end papers for their new cookbook Changing the Course. The paintings themselves are now on display at Saint Cloche for an exhibition of the same name.
In a new exhibition at Olsen Gallery, Andrew Taylor interrogates how we perceive time, the nature of memory, and how today is just tomorrow’s yesterday.
Within her warehouse studio in the industrial area of Coburg North, Melbourne, with her dog Merri in tow, Isadora Vaughan creates sculptural installations that sustain a visceral tension between incongruent materials and forms. Her work is showing at STATION Gallery Melbourne.
