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Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
While physical galleries all around Australia may be closed for months, the necessity of invention may yet enrich art lovers worldwide with online innovation.
“Rembrandt and Vermeer are the artists everyone knows,” says Raissis. “But no doubt there’ll be lots of surprises, like the female painter Rachel Ruysch, whose floral still lifes are astonishing demonstrations of technical wizardry.”
Congratulations to Deanna Hitti who has won first prize in the 2018 Fremantle Arts Centre Print Award with her artist’s book titled, TOWLA.
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