Artificial Eyes Australia, Bravery Co, Technology for Ageing and Disability Queensland, Vivien Bedwell, Leah Heiss, Carol Taylor and Janice Rieger and Megan Strickfaden.
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Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
While physical galleries all around Australia may be closed for months, the necessity of invention may yet enrich art lovers worldwide with online innovation.
Tāmaki Makaurau/Auckland-based artist John Vea’s show at 4A Centre for Contemporary Asian Art is both provocative and elegant.
Tega Brain’s peculiar projects ask: Can art fix the environment? Would you choose a partner based on their scent? Can laundromats feed a wetland?
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