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Equal parts monumental and fleeting, the sand sculptures of French artist Théo Mercier chart the histories—beyond our lines of vision—that a landscape reveals and conceals. Mercier’s MIRRORSCAPE is now showing at Mona.
For Chinese painter Gao Ping, the interplay between shadow and light is as much a symbol of our relationship with history as it is a visual technique. The artist’s latest exhibition Between the Shadow and the Soul, curated by Dr Luise Guest, is now showing at Vermilion Art.
Examining the documentary photography of the 1950s to 1980s might seem like an exercise in looking back, but as Jane O’Sullivan discovers, Imagining a Real Australia calls loudly to the present. It’s full of arresting works on subjects that still speak to us today, from land rights to war and feminism.
The Victorian First Peoples Art and Design Fair debuts in partnership with the Melbourne Art Fair this weekend, offering a special preview of new and recent artworks from 37 Koorie artists and designers.
For the Auckland-based artist Yona Lee, who has a new commission at the Melbourne Art Fair, function is a source of formal possibility and ordinary material moulds space in extraordinary ways.
In Biraddali Dancing on the Horizon, now showing at Perth Institute of Contemporary Arts (PICA), Australian-Filipina artist Bhenji Ra explores pangalay—a dance form indigenous to the Tausug and Bajau peoples from the Sulu Archipelago and Sabah in the Philippines.
