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Questions surrounding how we portray ourselves, and how we judge others, sit at the heart of Rona Green’s bold, yet strikingly simple, prints.
Neon, glass, mirror, metal and acrylic are placed in precarious relationships in Brendan Van Hek’s upcoming exhibition, the continual condition.
Considering that Tasmania is an island state with a convict history, one would expect to come across a pirate or two in the archives.
Frontiers are pervasive and can take many different forms on many different levels.
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