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In the tales of popular culture, if a character encounters an interactive robot the occasion generally brings about one of two reactions: it’s either a wondrous, life-affirming moment, or it evokes total existential terror.
The theme for the next Biennale of Sydney (BoS), due to be held 16 March –11 June 2018, has been announced.
The idea of sleep as a communal activity, rather than a private daily obligation, is what underscores Matthew Bird’s interactive installation Dormitorium.
This year, Jenny Rodgerson took out the $30,000 prize with her self portrait, Bound by the big red coat.
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