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“Perhaps a common theme throughout is that brands change, people change and everything dies,” says Melbourne artist Darren Sylvester of the works in his solo exhibition at Neon Parc.
Timing is everything. Viewed in April Fiona Hall’s solo show, Gateless Gate, reads like a meditation on the senselessness of war: the perfect antidote to the beer-soaked, jingoistic, flag-waving frenzy that often seems to accompany the more sombre rituals of ANZAC day.
In STEEL: art architecture design, curator Margaret Hancock Davis narrows the field to focus on the innovations made by Australian designers and artists working in the 21st century.
Nick Cave is known for his Soundsuits. These elaborate costumes are an idiosyncratic mix of haute couture and politics: they respond to racial tensions and inequities by both obscuring and celebrating racial identity with beads and bling.
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