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Gerwyn Davies proves yet again that dressing up isn’t just fun and games.
By the time I was in my teens in the mid-70s, the optimism of the 1960s had faded into the dystopian grime of the late Cold War.
Immigration, displacement and memory are the impetus for a new series of embroideries by Adelaide-based artist Nina Frigault.
Working with clay is frustrating and perilous, but for newcomer to the medium, Karen Black, there’s no time for regret.
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