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In the tales of popular culture, if a character encounters an interactive robot the occasion generally brings about one of two reactions: it’s either a wondrous, life-affirming moment, or it evokes total existential terror.
The theme for the next Biennale of Sydney (BoS), due to be held 16 March –11 June 2018, has been announced.
Polly Borland’s latest photographic series titled Not Good at Human at Sullivan+Strumpf stems from her feelings of displacement after moving to Los Angeles.
This year the Centre for Contemporary Photography turns 30. Over the decades, gallery directors have had to constantly reassess their strategies to keep up with shifting attitudes towards the medium of photography.
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