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Gerwyn Davies proves yet again that dressing up isn’t just fun and games.
By the time I was in my teens in the mid-70s, the optimism of the 1960s had faded into the dystopian grime of the late Cold War.
Timing is everything. Viewed in April Fiona Hall’s solo show, Gateless Gate, reads like a meditation on the senselessness of war: the perfect antidote to the beer-soaked, jingoistic, flag-waving frenzy that often seems to accompany the more sombre rituals of ANZAC day.
The theme for the next Biennale of Sydney (BoS), due to be held 16 March – 11 June 2018, has been announced.
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