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Hayden Fowler’s solo show, Future Distant History, had a distinct post-apocalyptic edge. The title was a clue (picturing the present as the past of a destroyed future is what post-apocalyptic stories do) and so was the pile of bones perched on a pretty white table.
Embodying a performance art born in Sydney’s queer club scene, Justin Shoulder’s latest solo show, Carrion, stakes out post-human, apocalyptic terrain, drawing our attention to the present age of excess and environmental misuse.
Congratulations to Fiona Foley, Peter Powditch AM and Tim Storrier AM who are the recipients of the 2017 National Art School Fellowships.
Frontiers are pervasive and can take many different forms on many different levels.
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