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Showing at PS Art Space, the exhibition is the second instalment of the duo’s three-part Migratory Projects, which, as the name suggests, broadly deals with the aesthetic representation and experience of migration.
Black Magic explores queer Aboriginality from a critical perspective with a playful approach.
Using video and time-lapse photography, Martin Walch and David Stephenson have visually charted the recent history of southern Tasmania’s Derwent River, from its beginnings in the central highlands to its position as a waterway severely effected by industry and the urban landscape.
Exquisite, faintly ominous ceramic objects merging plants and insects are at the centre of Angela Valamanesh’s exhibition Everybody’s Everything: Insect/Orchid.
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