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In the tales of popular culture, if a character encounters an interactive robot the occasion generally brings about one of two reactions: it’s either a wondrous, life-affirming moment, or it evokes total existential terror.
The theme for the next Biennale of Sydney (BoS), due to be held 16 March –11 June 2018, has been announced.
“Having a home studio is really good for those spontaneous inspirations that come in the middle of the night. They don’t happen often, but it’s nice to have a space close to home. The only drawback is you can lose track of time.”
During a career spanning three decades Hearman has become known for painting weird, moody vignettes rendered in deep chiaroscuro against amorphous backgrounds.
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