Sauerbier House provides a unique platform to stand still and look backwards in time. The work presented is imbued with ghosts and whispers from other houses in other times.
21 Wearing Street, Port Noarlunga
Hayden Fowler’s solo show, Future Distant History, had a distinct post-apocalyptic edge. The title was a clue (picturing the present as the past of a destroyed future is what post-apocalyptic stories do) and so was the pile of bones perched on a pretty white table.
Embodying a performance art born in Sydney’s queer club scene, Justin Shoulder’s latest solo show, Carrion, stakes out post-human, apocalyptic terrain, drawing our attention to the present age of excess and environmental misuse.
Victorian photography student Elli Bardas has won the inaugural Ballarat International Foto Biennale Martin Kantor Portrait Prize for a black and white photograph of her aunt Vicki Vodor.
In Woiwurrung language, Yalingwa refers to day, and light. It’s an apt word to title a new initiative between Creative Victoria, the Australian Centre for Contemporary Art (ACCA) and TarraWarra Museum of Art.
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