1214 High Street Armadale VIC 3143
Hayden Fowler’s solo show, Future Distant History, had a distinct post-apocalyptic edge. The title was a clue (picturing the present as the past of a destroyed future is what post-apocalyptic stories do) and so was the pile of bones perched on a pretty white table.
Embodying a performance art born in Sydney’s queer club scene, Justin Shoulder’s latest solo show, Carrion, stakes out post-human, apocalyptic terrain, drawing our attention to the present age of excess and environmental misuse.
In Stephen Dupont’s The White Sheet Series it is the curious bystanders standing adrift that captivate.
Unafraid to fall, fail or question, Elizabeth Newman finds a rougher, unflinchingly honest edge to her paintings.
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