45 Flinders Lane Melbourne VIC 3000
Hayden Fowler’s solo show, Future Distant History, had a distinct post-apocalyptic edge. The title was a clue (picturing the present as the past of a destroyed future is what post-apocalyptic stories do) and so was the pile of bones perched on a pretty white table.
Embodying a performance art born in Sydney’s queer club scene, Justin Shoulder’s latest solo show, Carrion, stakes out post-human, apocalyptic terrain, drawing our attention to the present age of excess and environmental misuse.
The Art Gallery of South Australia acquired Sue Kneebone’s works Neat Drop and Angel Inn…
While the thought of our impending demise makes most of us uncomfortable, Suzanne Archer looks at death with curiosity and a dark twist of humour.
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