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In the tales of popular culture, if a character encounters an interactive robot the occasion generally brings about one of two reactions: it’s either a wondrous, life-affirming moment, or it evokes total existential terror.
The theme for the next Biennale of Sydney (BoS), due to be held 16 March –11 June 2018, has been announced.
It is not quiet in Locust Jones’s studio. Rolling news coverage reverberates from every device. As he absorbs this torrent of information, Jones constantly draws, paints and sculpts.
The biggest challenge for artistic director Leigh Carmichael, mastermind behind Hobart’s hugely successful winter festival Dark Mofo is to keep it mysterious and energetic.
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