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A group exhibition at Monash University Museum of Art examines the divide between architectural spaces of global power, and the most precarious of structures.
Raquel Ormella has wielded a needle to chart our cultural landscape in all of its intensities.
In the tales of popular culture, if a character encounters an interactive robot the occasion generally brings about one of two reactions: it’s either a wondrous, life-affirming moment, or it evokes total existential terror.
Leeroy New is making the framework for La Puerta Del Laberinto (The Door to the Labyrinth) at the La Trobe campus and will then transport it to Castlemaine ready to apply his magic with bounty from his tip-trawling.
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