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Even though Chinese-Australian artist Lindy Lee has changed and refined her art practice over time there are certain themes that continually pervade her work.
Like many exhibitions, Telaesthesia began with conversation. “The five artists in this exhibition all shared a studio space for several years until 2012 and we would sit around our kitchen table and talk about what it meant to be painting in a post-digital and post-internet world,” says curator and artist Tony Lloyd.
In Forgiving Night For Day, Capone’s new exhibition at Perth Institute of Contemporary Arts, saudade is palpable. Every note of it hangs in the air.
Rather than throwing everything into a stack and seeing if it sticks, Gupta builds his stacks in a deliberate, loaded manner whereby the process says as much as the result.
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