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“Perhaps a common theme throughout is that brands change, people change and everything dies,” says Melbourne artist Darren Sylvester of the works in his solo exhibition at Neon Parc.
Timing is everything. Viewed in April Fiona Hall’s solo show, Gateless Gate, reads like a meditation on the senselessness of war: the perfect antidote to the beer-soaked, jingoistic, flag-waving frenzy that often seems to accompany the more sombre rituals of ANZAC day.
Doley’s 95 Things Learnt About Feminism are evidently not intended as a complete definition, if such a thing can even be attempted, but rather a snapshot of how the movement exists today: ever-shifting, many-layered, but stronger than ever.
The 2018 Biennale of Sydney will be led by its first artistic director from Asia, Mami Kataoka.
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