747 Darling Street Rozelle NSW 2039
Not every country town or city thought to build a permanent local gallery, or if they had, many didn’t survive to the present day. To travel around to experience Australia’s wealth of regional galleries is to be presented with the architecture of make-do.
Showing at PS Art Space, the exhibition is the second instalment of the duo’s three-part Migratory Projects, which, as the name suggests, broadly deals with the aesthetic representation and experience of migration.
Using video and time-lapse photography, Martin Walch and David Stephenson have visually charted the recent history of southern Tasmania’s Derwent River, from its beginnings in the central highlands to its position as a waterway severely effected by industry and the urban landscape.
Claire Lambe weaves an uneasy narrative through a warp of found archives, personal records, films, studio documentation, architecture and design. In the formidable expanse of ACCA the installations in her solo show, Mother Holding Something Horrific, seem almost restrained.
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