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In the tales of popular culture, if a character encounters an interactive robot the occasion generally brings about one of two reactions: it’s either a wondrous, life-affirming moment, or it evokes total existential terror.
The theme for the next Biennale of Sydney (BoS), due to be held 16 March –11 June 2018, has been announced.
The most interesting quality of old things is that they even appeared new. I think that’s because they were never wholly, truly new: they were mostly just reheated bits of even older stuff but given a makeover, like a plain person getting a new hairdo or losing some weight.
For a contemporary art magazine to publish 300 issues over 30 years is a rather impressive output. For Art Monthly Australasia, these numbers have now become a reality.
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