635 Plenty Road, Preston
Hayden Fowler’s solo show, Future Distant History, had a distinct post-apocalyptic edge. The title was a clue (picturing the present as the past of a destroyed future is what post-apocalyptic stories do) and so was the pile of bones perched on a pretty white table.
Embodying a performance art born in Sydney’s queer club scene, Justin Shoulder’s latest solo show, Carrion, stakes out post-human, apocalyptic terrain, drawing our attention to the present age of excess and environmental misuse.
Melbourne-based photographer and videographer Isaebella Doherty has won the $5000 non-acquisitive Maggie Diaz Photography Prize for Women for a black and white portrait of her sister titled Pearl.
The 10th National Indigenous Art Awards were announced on 27 May to coincide with the 50th anniversary of the 1967 referendum and the 25th anniversary of the landmark Mabo decision.
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