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In the tales of popular culture, if a character encounters an interactive robot the occasion generally brings about one of two reactions: it’s either a wondrous, life-affirming moment, or it evokes total existential terror.
The theme for the next Biennale of Sydney (BoS), due to be held 16 March – 11 June 2018, has been announced.
Exhibiting as part of Sydney Festival, Vernon Ah Kee vows not to shy away from thorny questions.
Melbourne is the next destination for the immersive work EXIT that visually maps the intricacies of globalisation.
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