444 South Road Marleston SA 5000
Hayden Fowler’s solo show, Future Distant History, had a distinct post-apocalyptic edge. The title was a clue (picturing the present as the past of a destroyed future is what post-apocalyptic stories do) and so was the pile of bones perched on a pretty white table.
Embodying a performance art born in Sydney’s queer club scene, Justin Shoulder’s latest solo show, Carrion, stakes out post-human, apocalyptic terrain, drawing our attention to the present age of excess and environmental misuse.
After Utopia: Revisiting the Ideal in Asian Contemporary Art, currently showing at the Samstag Museum of Art as part of this year’s OzAsia Festival, has been co-curated by Siuli Tan and Louis Ho from Singapore Art Museum (SAM)
A new retrospective exhibition, David Thomas: Colouring Impermanence at RMIT Design Hub, aims to bring attention to empathic observations by ‘looking at the act of looking’.
Get the latest Art Guide news