61 Flinders Street, Surry Hills
Hayden Fowler’s solo show, Future Distant History, had a distinct post-apocalyptic edge. The title was a clue (picturing the present as the past of a destroyed future is what post-apocalyptic stories do) and so was the pile of bones perched on a pretty white table.
Embodying a performance art born in Sydney’s queer club scene, Justin Shoulder’s latest solo show, Carrion, stakes out post-human, apocalyptic terrain, drawing our attention to the present age of excess and environmental misuse.
Frank Lloyd Wright’s suburban dream of Broadacre City is the nightmare within which many of us in the developed Western world now seem to live.
Brook Andrew’s astute interrogations of history and race are created from text and images in a quietly imposing warehouse studio.
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