Ceramic work by students in Canberra Potters classes and the teachers who teach them.
1 Aspinall Street Watson ACT 2602
Questions surrounding how we portray ourselves, and how we judge others, sit at the heart of Rona Green’s bold, yet strikingly simple, prints.
Neon, glass, mirror, metal and acrylic are placed in precarious relationships in Brendan Van Hek’s upcoming exhibition, the continual condition.
A couple of issues back I wrote about what the future of the commercial art gallery scene might look like, reasoning that whatever may come, the dealer-led model of a physical, bricks-and-mortar commercial gallery seems like the only rational way to do business.
After two years at Heide Museum of Modern Art, Kirsty Grant is leaving to focus on freelance and curatorial projects.
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