281 Clarence Street Sydney NSW 2000
Hayden Fowler’s solo show, Future Distant History, had a distinct post-apocalyptic edge. The title was a clue (picturing the present as the past of a destroyed future is what post-apocalyptic stories do) and so was the pile of bones perched on a pretty white table.
Embodying a performance art born in Sydney’s queer club scene, Justin Shoulder’s latest solo show, Carrion, stakes out post-human, apocalyptic terrain, drawing our attention to the present age of excess and environmental misuse.
In gardening and landscape design circles, Edna Walling (1895-1973) is considered royalty.
In the second feature from our series which pairs writers and artists that share a passion, Art Guide’s Louise Martin-Chew and Queensland artist Michael Zavros discuss their mutual obsession with exercise, as well as gym culture and the age-old allure of the body beautiful.
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